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	<title>nickOliva.com &#187; discrimination</title>
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		<title>Good intentions paving the path to discrimination</title>
		<link>http://nickoliva.com/2009/10/28/good-intentions-paving-the-path-to-discrimination/</link>
		<comments>http://nickoliva.com/2009/10/28/good-intentions-paving-the-path-to-discrimination/#comments</comments>
		<pubDate>Wed, 28 Oct 2009 16:41:27 +0000</pubDate>
		<dc:creator>Nick Oliva</dc:creator>
				<category><![CDATA[discrimination]]></category>

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		<description><![CDATA[&#8220;&#8230;the Gershwin estate&#8217;s insistence on all-black casts has meant that performances in Britain have to rely partly on imported singers and are relatively rare.&#8221; &#8211; The Economist, October 17, 2009 I&#8217;ve seen Porgy &#38; Bess at the Met. &#8220;Summertime&#8221; is &#8230; <a href="http://nickoliva.com/2009/10/28/good-intentions-paving-the-path-to-discrimination/">Continue reading <span class="meta-nav">&#8594;</span></a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=nickoliva.com&amp;blog=7482064&amp;post=98&amp;subd=nickoliva&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<blockquote><p>&#8220;&#8230;the Gershwin estate&#8217;s insistence on all-black casts has meant that performances in Britain have to rely partly on imported singers and are relatively rare.&#8221; &#8211; The Economist, October 17, 2009</p></blockquote>
<p>I&#8217;ve seen Porgy &amp; Bess at the Met. &#8220;Summertime&#8221; is wonderful and worth the trip, but otherwise, opera in English just doesn&#8217;t work for me. I love some operas like Rigoletto and could see them or just listen to the recordings over and over. But there&#8217;s a lot of opera that just bounces off me.</p>
<p>I once saw La Boheme &#8211; can&#8217;t remember if it was a DVD or one of the times I saw it at the Met &#8211; where a black woman had the role of Mimi. I admit that my first reaction was to be surprised. It&#8217;s obviously historically inaccurate and it probably even violates something in the score&#8230; where Rodolfo or Marcello (the one after Mimi) is swooning over her, he probably says something about her appearance&#8230; I&#8217;m just speculating.</p>
<p>But I didn&#8217;t have a problem with it. Opera is an artistic interpretation, and there&#8217;s absolutely no basis for taking race as a factor in casting. I do understand that you don&#8217;t cast someone inappropriate to do the Dance of the Seven Veils &#8211; it would be uncomfortable for everyone. Otherwise, the people putting on the production ought to be able to decide on the cast.</p>
<p>Saying a cast has to be all-black absolutely has its merits. Porgy did appear more authentic to me because of the all-black cast &#8211; but I didn&#8217;t stop to think that no white person has ever had a role in Porgy on stage by the insistence of the Gershwin estate. That sort of grates on me. I can see that if they didn&#8217;t have any requirements on this at all, that most casts would become completely are just about all-white. I can also see that a lot of black opera singers probably get their best opportunities or even make their livings on Porgy.</p>
<p>Many years ago I asked a black co-worker if there should be magazines like, &#8220;White Woman&#8221;&#8230; since there were magazines with names like, &#8220;Black Woman&#8221;.  She said something that really opened my eyes. She said the women&#8217;s magazines were basically for whites only. She said she couldn&#8217;t possibly use any of the products sold in a woman&#8217;s magazine &#8211; she had to buy the black women&#8217;s magazine to read and buy things relevant for her. All this made me feel like an ignorant fool.</p>
<p>So, there you have it. I support affirmative action and I&#8217;m completely against discrimination. Not allowing performances of something because the cast isn&#8217;t all black&#8230; it just can&#8217;t be right.</p>
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